Values we work by — from what we pack in, to who we work with, to how each collection carries its own idea of reuse.
We use 100% eco-friendly packaging — chosen to protect the work without unnecessary waste.
We reuse shipping boxes wherever we can, so materials get a second life before they leave the studio.
Much of our jewellery is made from recycled metal and reclaimed pieces — old jewellery broken down and formed into something new. That choice naturally limits repetition: fewer identical runs, more one-off and small-batch character.
We aim to reinvest a large share of what the studio earns into training and hiring women from economically disadvantaged households — teaching craft skills and offering steady work, not one-off charity.
On the surface, Shinigami is inspired by Death Note — a familiar cultural touchstone. Underneath, the point is broader: pieces meant to be versatile and customisable, so one object can adapt to how you wear it over time instead of being replaced season after season.
This line sits closest to our sustainable goals: what goes into these pieces is almost entirely reclaimed or reused. The focal charm — teeth supplied by the customer — is the literal shape of upcycling: material that already had a life, honoured again as jewellery.
Navras draws on stones that were discarded or sorted out of the pile — material that might otherwise have been waste or never set into a finished piece. Combined with other components, it becomes jewellery that treats nature as a gift worth rescuing, not only mining for the perfect grade.
Questions about how we work or a specific piece? We are happy to talk it through.
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